Donatello, Equestrian Statue of Gattamelata, bronze on a marble plinth, Padua *His military victories were well known as well as his family were well respected. Find this Pin and more on Equestrian & Equine Statues by Jurgok Oberstadt .
The Magdeburger Reiter: a tinted sandstone equestrian monument, c. 1240, traditionally intended as a portrait of Otto I (detail), Magdeburg Donatello's Gattamelata is the first lifesize equestrian statue in bronze since antiquity; other medieval examples are in stone or wood.
Donatello, Equestrian Monument of Gattamelata (Erasmo da Narni), 1445-53, bronze, 12 feet, 2 inches high, Piazza del Santo, Padua Speakers: Dr. Beth Harris and Dr. Steven Zucker.
Donatello, Equestrian Monument of Gattamelata by Dr. Beth Harris and Dr. Steven Zucker Donatello, Equestrian Monument of Gattamelata (Erasmo da Narni) , 1445-53, bronze, 12′ 2″ high, Piazza del Santo, Padua
The Equestrian Statue of Marcus Aurelius is an ancient Roman statue in the Capitoline Hill, Rome, Italy.It is made of bronze and stands 4.24 m (13.9 ft) tall. Although the emperor is mounted, it exhibits many similarities to standing statues of Augustus.
Full text of "The Equestrian Statues of Gattamelata … in the world than the equestrian statue of Bar- tolommeo Coleoni." … Greek and Ro- man sculptures. The …
A statue of a riderless horse is strictly an "equine statue". A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, more recently, military commanders.
It was Donatello who finally revived classical statues (starting with Saint Mark), including equestrian statues (with Gattamelata, the first equestrian statue since antiquity). G299,H683-89,1 His other primary works include Saint George and David.
Almost the only sole surviving Roman equestrian bronze, the equestrian Statue of … Statue of Gattamelata … or Native Americans. Such monuments can be found …
Equestrian statue of Gattamelata, bronze sculpture by Donatello, 1447–53; in the Piazza del Santo, Padua, Italy. Anderson—Alinari/Art Resource, New York One of his first works upon his return to Florence was a wooden statue of Mary Magdalene for the baptistery of the cathedral.
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